Heavy Lift Electromagnet from Microwave Oven Transformers | Circuit Breaker Parts

For every piece of equipment that lists MOCP and MCA, you are given the breaker size and minimum wire ampacity. As above, the MOCP is usually significantly higher than the MCA, but this is to allow for the spike in amp draw upon motor start.

The guy on final test stood on a rubber block but still used to get blown across the floor once a month

But despite them being ‘commercial’, they’re still pretty hideous bits of cheap Chinese kit that I wouldn’t trust as far as I could throw them.

DC burns. It doesn’t cause a muscle lock-up like AC does. It’s more dangerous in that sense, because you don’t feel it beyond the initial shock until your flesh starts to cook from inside out.

Translucent (pellicle) mirror. Undoubtedly the biggest story of the Sony SLT-series cameras is their use of a translucent mirror. Also known as pellicle mirror, this works by allowing most light to pass through to the imaging surface beneath, while a small portion is reflected for other purposes. Sony is not the first camera manufacturer to use a translucent mirror in an SLR-style camera, with the manual focus Canon Pellix film camera from 1965 taking that credit. The Pellix was followed by a handful of other pellicle mirror-based SLRs from Canon, Nikon, and Mamiya, largely designed for professional photographers, and manufactured in very limited production runs. It wasn’t until 1989′s Canon EOS RT that the first autofocus pellicle camera was released, followed by the EOS-1N RS in 1995. Fifteen years later, Sony has become the first company to resurrect the pellicle mirror for use in an interchangeable lens digital camera.

The car can accept up to 48 amps, if you purchase the $500 HPWC. Almost 50 miles per hour. Not needed for us.

My original quote is based on the project you called me in for. If I find out there’s actually a larger issue at hand, I’ll need to increase my price to match the scope of the project. I’m not ripping you off, I’m just making sure I get compensated for the extra work.

You’ll notice that there’s a single general lighting circuit that’s warmer than the other breakers in this panel; again, it’s only a small increase in temperature, so I’m not concerned. If it were much warmer, I might question why.

There is no mention of what powers the module here, and I suspect it is a regular 5V, isolated SMPS. @RobHeffo suggests transformerless power supply, but that is not a good idea, for the current drawn by the ESP the capacitor will be too big. There are alternatives, like this guy, LNK306 : http://www.mouser.com/ds/2/328/lnk302_304-306-179954.pdf . It is not isolated, but the thing is probably the best cost option for such a device.

https://en.wikipedia.org/wiki/Electric_shock#Factors_in_lethality_of_electric_shock If the current can be limited to Less than 30mA or less people should live, see the graph in the above link. This is much easier to achieve with lower voltages because the human body resistance is higher with lower voltage shocks ( https://en.wikipedia.org/wiki/Electric_shock#Body_resistance ).

Second was with an old (illegal) CB amp that I was converting to HF, and I touched an unshielded feed inductor of some sort, the aftermath from the RF burn was worse than that time I grabbed the wrong end of an iron with my fingers.

If Handheld Twilight and Multi-Frame NR modes are practical, Sweep Panorama is just plain fun. I’ve always been a fan of panoramic images, and spent more time than I care to remember back in the film days slicing and splicing together 4×6-inch prints with a razor blade and rubber cement, to make panoramas from sequences of individual shots. The Sony A33 and A55′s Sweep Panorama mode does all this for you inside the camera. Again taking advantage of Sony’s high-speed capture technology, Sweep Panorama collects dozens of individual images while you hold down the shutter button and "sweep" the camera from side to side or up and down. The powerful Bionz image-processing engine examines all these images, takes slices from each, applies geometric and tonal corrections to each slice, and then stitches them together into a single panoramic image. The results are stunning, and experimenting is loads of fun.